Pierre-Auguste Renoir

French, 1841 - 1919





Maternité, Grande Planche






Study of Seated Female Nude


Femme Nue Assise


nguon : masterworksfineart.com

Odilon Redon

France, 1840-1916





The Martyrdom Of Saint Sebastian




Closed Eyes2

The Green Death

Christ In Silence nguon :odilon-redon.org

Michael Luchs

American, 1938

Untitled

Rabbit

nguon : dia.org

Georges Rouault

French, 1885-1990

Rouault Etching Aquatint, La Vieil Homme Chemine (Old Man Walking), 193

Rouault Etching Aquatint, Christ au Faubourg (Christ in Faubourg) from Passion, 1935

Rouault Etching Aquatint, Chemineau (Vagabond) from Passion, 1935

Rouault Etching Aquatint, Aide-Bourreau (Portant un des Bois de la Croix) nguon : masterworksfineart.com

Sam Francis

American, 1923-1994

Untitled (Colorful Face)

Lyre Eight


nguon: .masterworksfineart.com

Wifredo Lam

b. 1902, Sagua la Grande, Cuba; d. 1982, Paris





Zambezia, Zambezia



nguon : guggenheim.org

Clyfford Still

American, 1904-1980







UNTITLED



nguon : dia.org

Gordon Newton

American, born 1948

Head

1989

nguon : dia.org

Odilon Redon

Bertrand-Jean Redon better known as Odilon Redon (April 20, 1840 - July 6, 1916) was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon was a nickname derived from his mother, Odile.

The Death Of Ophelia

Salome

Roland At Roncevaux

Melancholy

Orpheus

nguon : .odilon-redon.org

Adolph Gottlieb

United States, New York, 1903 - 197





Expectation of Evil

Totem Ovoid Rolling II, nguon : lacma.org

Metropolitan_Museum_of_Art

Metropolitan Museum of Art on Fotopedia

nguon : fotopedia.com

Max Ernst

b. 1891, Bruhl, Germany; d. 1976, Paris





The Kiss (Le baiser)




The Forest



Little Machine



Zoomorphic Couple,


Attirement of the Bride (La Toilette de la mariée)




The Antipope,


nguon : guggeinheim.org

"Venus de Milo" at the Louvre

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Jeff Koons

American, 1955





Mountain




Niagara


nguon : guggenheim.org

Ken Fandell

Days and Nights

nguon:mcachicago.org

Jim Dine

b. 1935, Cincinnati, Ohio





Bedspring



Pearls


nguon : guggenheim.org

Paul Ranson

(1864-1909, French

Three Bathers with Irises

The Clearing (Edge of the Wood)

Picking Flowers

Three Beeches

nguon .artsheaven.com/

Eduardo Chillida

Spain, 1924-2002

How profund is the Air

Advice to Space V

Asylum

nguon guggenheim.org/

Edward Hopper

American, 1882-1967

California Hills

nguon : artsheaven.com

Bernardo Strozzi ( Italia, about 1620)

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The Incredulity of Saint Thomas

nguon :.nationalgallery.org.uk

Titian

Italia, 1520-3

Bacchus and Ariadne

nguon :nationalgallery.org.uk

Johannes Vermeer

Italia, about 1670-2

A Young Woman standing at a Virginal

nguon :nationalgallery.org.uk

Eva Struble

Born 1980 in Elsmere, KY

Lives and works in Brooklyn, New York

Mountain Architecture 2005 Oil and acrylic on canvas 84.5 x 95.5"

Eva Struble’s monumental paintings draw from the traditions of landscape,architecture, and abstraction. Taking inspiration from sources as diverse as antique Arabic miniatures and contemporary Asian construction, Struble’s motifs balance the odyssey of nature with the carefully ordered precision of design. Rendered with acidic hues and an exaggerated consideration of space and placement, Stuble’s landscapes resolve as affected dioramas, envisioning otherworldly tableaux through their compositional pastiche. Struble approaches the act of painting itself as a physical manifestation, allowing the eclectic application of her materials to create a disorientating illusion of space: an erased void of a mountain conveys an aberrant weight, the perspective of architecture gives way to its flattened decorative patterning, skies are rendered with day-glo pop sheen, and earth swills as layers of mellifluous splotches. The physical impossibilities implied through Struble’s painterly manipulation are made believable through her inclusion of intricate detail, as blades of grass, grains of sand, and weathered dabs of rock are set within her scenes with a theatrical preciousness.

Roof Gardens 2005 oil and acrylic on canvas 67 x 116"

To The End 2005 Oil and acrylic on canvas 71 x 129"

Acid Mine Drainage 1 2006 Oil and acrylic on canvas 241.3 x 411.5 cm
Struble’s most recent works, To The End and Acid Mine Drainage I, are part of her Superfund series; a collection of paintings inspired by toxic waste sites. Using this subject matter as a departure point for visual invention, Struble offers a complex paradox, merging an idealised beauty nurtured and improved with eerie transgressions of artificiality and toxicity. nguon : saachi-gallery.co.uk